Ngapa Jukurrpa (Water Dreaming) Puyurru

$2,508.00 $2,950.00
SKU: ORIGINAL 388721

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Original Art

The site depicted in this painting is Puyurru, west of Yuendumu. In the usually dry creek beds are ‘mulju’ (soakages), or naturally occurring wells. The 'kirda' (owners) for this site are Nangala/Nampijinpa women and Jangala/Jampijinpa men. Two Jangala men, rainmakers, sang the rain, unleashing a giant storm. The storm travelled across the country from the east to the west, initially travelling with a ‘pamapardu Jukurrpa’ (termite Dreaming) from Warntungurru to Warlura, a waterhole 8 miles east of Yuendumu. At Warlura, a gecko called Yumariyumari blew the storm on to Lapurrukurra and Wilpiri. Bolts of lightning shot out at Wirnpa (also called Mardinymardinypa) and at Kanaralji.

At this point the Dreaming track also includes the ‘kurdukurdu mangkurdu Jukurrpa’ (Children of the clouds Dreaming). The water Dreaming built hills at Ngamangama using baby clouds and stuck long pointy clouds into the ground at Jukajuka, where they can still be seen today as rock formations.

The termite Dreaming eventually continued west to Nyirripi, a community approximately 160 km west of Yuendumu. The water Dreaming then travelled from the south over Mikanji, a watercourse with soakages northwest of Yuendumu. At Mikanji, the storm was picked up by a ‘kirrkarlanji’ (brown falcon) and taken farther north. At Puyurru, the falcon dug up a giant ‘warnayarra’ (rainbow serpent). The serpent carried water with it to create another large lake, Jillyiumpa, close to an outstation in this country. The ‘kirda’ (owners) of this story are Jangala men and Nangala women. After stopping at Puyurru, the water Dreaming travelled on through other locations including Yalyarilalku, Mikilyparnta, Katalpi, Lungkardajarra, Jirawarnpa, Kamira, Yurrunjuku, and Jikaya before moving on into Gurindji country to the north.

In contemporary Warlpiri paintings, traditional iconography is used to represent the ‘Jukurrpa’ (Dreaming). Short dashes are often used to represent ‘mangkurdu’ (cumulus & stratocumulus clouds), and longer, flowing lines represent ‘ngawarra’ (flood waters). Small circles are used to depict ‘mulju’ (soakages) and riverbed.

Please note: all original works are on canvas and stretched on a stretcher bar. Customised framing options are available in reverse moulding in black, white or scandi. Use the contact form to discuss framing options for your artwork.

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Paper Options
What is photographic paper?

Photographic paper is a heavy-weight, high-quality inkjet photo paper offering accurate reproductive qualities, extended longevity and a robust surface for exceptional yet durable prints. As with its gloss equivalent, this paper is created using the very latest universal inkjet coating technology, which ensures that prints are not only dry to the touch straight from the printer, but are compatible with all popular printer manufacturers. The satin surface is perfect for every type of image genre from stunning portraits and scenic landscapes to wildlife, mono conversions, abstracts, macros or architecture.

What is rag paper?  We use 2 types.

Ilford Textured Cotton Rag - The new GALERIE 100% Cotton fourdrinier-made rag papers lead the way within the range of meeting the needs of professional fine art printers. Photographers and print-makers alike can rely on these new papers to produce the highest quality images they have come to know and love from ILFORD. With no optical brighteners and the longevity, image stability and clean matt surface required for the very best in fine art printing, Smooth Cotton Rag is offered as the perfect choice for crisp detail, while the Textured Cotton range features a contoured surface for enhanced creative expression.

Art Velvet Textured Rag - Matt, velvet textured, bright white, water-resistant fine art paper. This is a cold press paper that is strong and dimensionally stable made from 100% cotton fiber and is acid and lignin free. Capable of reproducing eye-popping colour gamut images that will last for generations.

What is canvas paper?

Natural White Solvent Canvas is a cotton/polyester blend canvas that is free of Optical Brightening Agents (OBAs) for a stable natural white tint and Satin finish for use with solvent and eco-solvent printers. Ideal for décor, fine art prints, portraits and commercial displays, this canvas offers excellent colour reproduction and image quality to give a true fine-art look to solvent prints.
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To do this simply contact us via our contact page or email: customerservice@fineprintco.com with the order number and images of the damaged print.

FINEPRINTCO does not offer returns or refunds where the client has asked for special delivery via a non-art-courier.

Please choose carefully as we do not operate a refund or exchange policy for “Change of Mind" Returns. 

Our customer service team will provide the information related to your return. When sending your return back to us, please print your order number on the outside of the box. Refunds will be issued after the goods have been returned to us. Refunds will only be applied to the credit card or account used for the original transaction. Please allow up to 7-10 business days for processing.It is important to ensure that any handling does not cause damage to your work- avoid touching the print directly as oils and dirt from your hands can damage the artwork and rough treatments can scratch and harm the pigments.

Framing Information

All original works are on canvas and stretched on a stretcher bar. Please refer to product description for framing information. Custom framing options are available in reverse moulding in black, white or scandi. Use the enquiry form to discuss framing options for your artwork.