Kaufmann Desert House

77728386

Artist: Slim Aarons

77728386-C-P-N
Regular
$451.00
Sale
$451.00
Regular
Sold
Unit Price
per 
Unframed size (mm)
materials
Frame
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About this artwork

January 1970: The Kaufmann Desert House in Palm Springs, California, designed by Richard Neutra in 1946 for businessman Edgar J. Kaufmann and now owned by Nelda Linsk (right, in yellow). Lita Baron and Helen Dzo Dzo are among the guests.

FINEPRINTCO offers premium quality photographic prints from the Getty Images Gallery, owned and housed by Getty Images. All Slim Aarons prints are hand embossed with ‘Getty Images Archives’ and come with a Certificate of Authenticity.

Slim Aarons print sizes refer to the image size.

Framed Slim Aarons prints on photographic paper have a small white border to expose the embossing ‘Getty Images Archive’ and a matt board around the print.

Slim Aarons | Photographic Paper | Landscape & Portrait
Image Size Framed Size
C. 490 mm × 320 mm C. 760 mm x 600 mm
D. 590 mm x 390 mm D. 860 mm x 660 mm
E. 730 mm x 490 mm E. 1000 mm x 760 mm
F. 965 mm x 640 mm F. 1255 mm x 930 mm
G. 1440 mm x 965 mm G. 1740 mm x 1255 mm
Slim Aarons | Photographic Paper | Square
Image Size Framed Size
C. 380 mm × 380 mm C. 650 mm × 650 mm
D. 490 mm x 490 mm D. 760 mm x 760 mm
E. 560 mm x 560 mm E. 850 mm x 850 mm
F. 710 mm x 710 mm F. 990 mm x 990 mm
G. 965 mm x 965 mm G. 1255 mm x 1255 mm
Slim Aarons | Canvas Paper | Landscape & Portrait
Image Size Framed Size
E. 730 mm × 490 mm E. 760 mm x 520 mm
F. 965 mm × 640 mm F. 995 mm x 670 mm
G. 1440 mm x 965 mm G. 1470 mm x 995 mm
H. 1830 mm x 1220 mm H. 1860 mm x 1250 mm
Slim Aarons | Canvas Paper | Square
Image Size Framed Size
E. 560 mm × 560 mm E. 590 mm x 590 mm
F. 710 mm × 710 mm F. 740 mm x 740 mm
G. 965 mm × 965 mm G. 995 mm x 995 mm
H. 1270 mm x 1270 mm H. 1300 mm x 1300 mm
I. 1400 mm x 1400 mm I. 1430 mm x 1430 mm

What is photographic paper?

Photographic paper is a heavy weight, high quality inkjet photo paper offering accurate reproductive qualities, extended longevity and a robust surface for exceptional yet durable prints. As with its gloss equivalent, this paper is created using the very latest universal inkjet coating technology, which ensures that prints are not only dry to the touch straight from the printer, but are compatible with all popular printer manufacturers. The satin surface is perfect for every type of image genre from stunning portraits and scenic landscapes to wildlife, mono conversions, abstracts, macros or architecture.

What is rag paper? We use 2 types.

Ilford Textured Cotton Rag The new GALERIE 100% Cotton fourdriner-made rag papers lead the way within the range in meeting the needs of professional fine art printers. Photographers and print-makers alike can rely on these new papers to produce the highest quality images they have come to know and love from ILFORD. With no optical brighteners and the longevity, image stability and a clean matt surface required for the very best in fine art printing, Smooth Cotton Rag is offered as the perfect choice for crisp detail, while the Textured Cotton range features a contoured surface for enhanced creative expression.

Ilford Matt Cotton Medina The addition of Matt Cotton Medina continues to broaden the offering of professional 100% Cotton products available in the GALERIE range. Photographers and printmakers alike can rely on these new papers to produce the highest quality images they have come to know and expect from ILFORD. With no optical brighteners, premium heavyweight quality and excellent image stability, GALERIE Matt Cotton Medina and Smooth Cotton Sonora will meet all your requirements for the very best in fine art print production.

What is canvas paper?

OMNIJET Natural White Solvent Canvas is a cotton/polyester blend canvas that is free of Optical Brightening Agents (OBAs) for a stable natural white tint and Satin finish for use with solvent and eco-solvent printers. Ideal for décor, fine art prints, portraits and commercial displays, this canvas offers excellent colour reproduction and image quality to give a true fine-art look to solvent prints.

Shipping

After placing your order online, you will receive an email confirmation receipt within 24 hours.

Our unframed prints are shipped within 3-5 days of your order being placed.

AUSTRALIA: For prints being framed by us please allow up to an additional 10 working days for framing production.

INTERNATIONAL: (For orders outside of Australia) Due to shipping logistics, framing options are not available for International orders. Unframed prints are sent in a rolled tube via DHL Couriers.

All artwork is fully insured against loss and damage whilst in transit with our trusted art couriers. You will be provided with a shipment number to track your delivery online.

Please note our Limited-Edition prints are hand signed by the artist and may impact on delivery and shipping timelines.

If you wish to query a delivery please contact us at customerservice@fineprintco.com or via the Contact us page.

Returns

FINEPRINTCO will offer returns on any framed or unframed prints damaged in transit where delivery has been arranged by us using our preferred art courier. If damage has occurred a return lodgement must be placed within three (3) days of delivery. 

To do this simply contact us via our contact page or email: customerservice@fineprintco.com with the order number and images of the damaged print.

FINEPRINTCO does not offer returns or refunds where the client has asked for special delivery via a non-art-courier.

Please choose carefully as we do not operate a refund or exchange policy for “Change of Mind" Returns. 

Our customer service team will provide the information related to your return. When sending your return back to us, please print your order number on the outside of the box. Refunds will be issued after the goods have been returned to us. Refunds will only be applied to the credit card or account used for the original transaction. Please allow up to 7-10 business days for processing.It is important to ensure that any handling does not cause damage to your work- avoid touching the print directly as oils and dirt from your hands can damage the artwork and rough treatments can scratch and harm the pigments.

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