Ngapa Jukurrpa (Water Dreaming)
Artist: Julie Nangala Robertson
About this artwork
Ngapa Jukurrpa (Water Dreaming) by Julie Nangala Robertson
The site depicted in this painting is Pirlinyarnu (Mt. Farewell), about 165 km west of Yuendumu in the Northern Territory. The â€˜kirdaâ€™ (owners) for the water Dreaming site at Pirlinyarnu are Nangala/Nampijinpa women and Jangala/Jampijinpa men.
Two Jangala men, rainmakers, sang the rain, unleashing a giant storm that collided with another storm from Wapurtali at Mirawarri. A â€˜kirrkarlanjiâ€™ (brown falcon) carried the storm further west from Mirawarri. The two storms travelled across the country from Karlipirnpa, a ceremonial site for the water Dreaming near Kintore that is owned by members of the Napaljarri/Japaljarri and Napanangka/Japanangka subsections. Along the way the storms passed through Juntiparnta, a site that is owned by Jampijinpa men. The storm eventually became too heavy for the falcon. It dropped the water at Pirlinyarnu, where it formed an enormous â€˜maluriâ€™ (claypan). A â€˜muljuâ€™ (soakage) exists in this place today. Whenever it rains today, hundreds of â€˜ngapangarlpaâ€™ (bush ducks) still flock to Pirlinyarnu.Â
In contemporary Warlpiri paintings, traditional iconography is used to represent the â€˜Jukurrpaâ€™ (Dreaming), associated sites, and other elements. In many paintings of this Dreaming, short dashes are often used to represent â€˜mangkurduâ€™ (cumulus & stratocumulus clouds), and longer, flowing lines represent â€˜ngawarraâ€™ (flood waters). Small circles are used to depict â€˜muljuâ€™ (soakages) and riverbeds.
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Photographic paper is a heavy weight, high quality inkjet photo paper offering accurate reproductive qualities, extended longevity and a robust surface for exceptional yet durable prints. As with its gloss equivalent, this paper is created using the very latest universal inkjet coating technology, which ensures that prints are not only dry to the touch straight from the printer, but are compatible with all popular printer manufacturers. The satin surface is perfect for every type of image genre from stunning portraits and scenic landscapes to wildlife, mono conversions, abstracts, macros or architecture.
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Ilford Textured Cotton Rag The new GALERIE 100% Cotton fourdriner-made rag papers lead the way within the range in meeting the needs of professional fine art printers. Photographers and print-makers alike can rely on these new papers to produce the highest quality images they have come to know and love from ILFORD. With no optical brighteners and the longevity, image stability and a clean matt surface required for the very best in fine art printing, Smooth Cotton Rag is offered as the perfect choice for crisp detail, while the Textured Cotton range features a contoured surface for enhanced creative expression.
Ilford Matt Cotton Medina The addition of Matt Cotton Medina continues to broaden the offering of professional 100% Cotton products available in the GALERIE range. Photographers and printmakers alike can rely on these new papers to produce the highest quality images they have come to know and expect from ILFORD. With no optical brighteners, premium heavyweight quality and excellent image stability, GALERIE Matt Cotton Medina and Smooth Cotton Sonora will meet all your requirements for the very best in fine art print production.
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OMNIJET Natural White Solvent Canvas is a cotton/polyester blend canvas that is free of Optical Brightening Agents (OBAs) for a stable natural white tint and Satin finish for use with solvent and eco-solvent printers. Ideal for décor, fine art prints, portraits and commercial displays, this canvas offers excellent colour reproduction and image quality to give a true fine-art look to solvent prints.
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