About this artwork
Framed size is 1220 x 1220
Kathrin Longhurst was born in communist East Germany. A classically trained figurative painter, she began attending life drawing classes at the age of fourteen. When she was just fifteen, her family escaped from ‘behind the iron curtain’, relocating to Sweden. This jarring transition from a totalitarian regime to a democracy sparked Kathrin’s passion for exploring the concepts of freedom of speech and expression, concepts that continue to thread through her work today.
After traveling widely throughout Europe, Asia and America, Kathrin settled in Sydney with her Australian husband. She went on to work prolifically, showing her first solo exhibition in 2004 and becoming well known for her portraits of beautiful, scantily clad women in military attire, draped with symbols of communist propaganda.
What is photographic paper?
Photographic paper is a heavy weight, high quality inkjet photo paper offering accurate reproductive qualities, extended longevity and a robust surface for exceptional yet durable prints. As with its gloss equivalent, this paper is created using the very latest universal inkjet coating technology, which ensures that prints are not only dry to the touch straight from the printer, but are compatible with all popular printer manufacturers. The satin surface is perfect for every type of image genre from stunning portraits and scenic landscapes to wildlife, mono conversions, abstracts, macros or architecture.
What is rag paper? We use 2 types.
Ilford Textured Cotton Rag The new GALERIE 100% Cotton fourdriner-made rag papers lead the way within the range in meeting the needs of professional fine art printers. Photographers and print-makers alike can rely on these new papers to produce the highest quality images they have come to know and love from ILFORD. With no optical brighteners and the longevity, image stability and a clean matt surface required for the very best in fine art printing, Smooth Cotton Rag is offered as the perfect choice for crisp detail, while the Textured Cotton range features a contoured surface for enhanced creative expression.
Ilford Matt Cotton Medina The addition of Matt Cotton Medina continues to broaden the offering of professional 100% Cotton products available in the GALERIE range. Photographers and printmakers alike can rely on these new papers to produce the highest quality images they have come to know and expect from ILFORD. With no optical brighteners, premium heavyweight quality and excellent image stability, GALERIE Matt Cotton Medina and Smooth Cotton Sonora will meet all your requirements for the very best in fine art print production.
What is canvas paper?
OMNIJET Natural White Solvent Canvas is a cotton/polyester blend canvas that is free of Optical Brightening Agents (OBAs) for a stable natural white tint and Satin finish for use with solvent and eco-solvent printers. Ideal for décor, fine art prints, portraits and commercial displays, this canvas offers excellent colour reproduction and image quality to give a true fine-art look to solvent prints.
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Our unframed prints are shipped within 3-5 days of your order being placed. Getty Images (Slim Aarons) are custom printed for you in London and can incur an extra 3-4 weeks to estimated shipping times.
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FINEPRINTCO will offer returns on any framed or unframed prints damaged in transit where delivery has been arranged by us using our preferred art courier. If damage has occurred a return lodgement must be placed within three (3) days of delivery.
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Please choose carefully as we do not operate a refund or exchange policy for “Change of Mind" Returns.
Our customer service team will provide the information related to your return. When sending your return back to us, please print your order number on the outside of the box. Refunds will be issued after the goods have been returned to us. Refunds will only be applied to the credit card or account used for the original transaction. Please allow up to 7-10 business days for processing.It is important to ensure that any handling does not cause damage to your work- avoid touching the print directly as oils and dirt from your hands can damage the artwork and rough treatments can scratch and harm the pigments.