Warlukurlangy Jukurrpa (Fire Country Dreaming) 03

$2,950.00
SKU ORIGINAL 712423

Artwork size:  1070 x 1070 mm

1070 x 1070
1070 x 1070

materials:  Canvas

Canvas
Canvas

Frame: None

None
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Original Art

This Dreaming belongs to Warlukurlangu country to the south-west of Yuendumu, for which Jampijinpa/Jangala men and Nampijinpa/ Nangalawomen have custodial responsibility. An old man ‘lungkarda’ (Centralian blue-tongued lizard), of the Jampijinpa skin group, lived on a hill with his two Jangala sons.

The old man would feign blindness and send the two boys hunting in search of meat. While they were gone, he would hunt and eat anything that he caught before they returned. One day the sons returned with a kangaroo that they had caught after much tracking.

Unfortunately, the kangaroo was sacred to the ‘lungkarda’, unbeknown to the boys. In his anger the old man decided to punish his sons and the next time they went out, he put his fire stick to the ground and sent a huge bush fire after them which chased them for many miles, at times propelling them through the air. Although the boys beat out the flames, ‘lungkarda’s’ special magic kept the fire alive and it reappeared out of his blue-tongued lizard hole. Exhausted the boys were finally overcome by the flames.

In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. Usually, sites that are depicted in paintings of this Jukurrpa include Warlukurlangu (a men’s cave), Kirrkirrmanu (where the sacred kangaroo was killed), Wayililinypa (where the fire killed the two Jangala sons) and Marnimarnu (a water soakage) where the two Jangalas camped.

 

Please note: Original paintings on canvas are firmly wrapped around stretcher bars, also known as 'stretched'. For any international shipments (outside of Australia), these paintings will be shipped unstretched and rolled to ensure their safe delivery. Please contact us for any enquiries.

Additionally, this unique painting may also be available to purchase in-store. Should it be sold to an in-store buyer prior to an online sale, we will promptly contact you to arrange a refund and discuss alternative art options.

Framing Details

Australian customers can enhance their purchase of original paintings with customised framing in reverse moulding, available in black, white, or Scandi timber styles for an additional cost. Please contact us to discuss framing options.

Shipping & Returns
Shipping

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Our unframed prints are shipped within 3-5 days of your order being placed.

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Please note our Limited-Edition prints are hand signed by the artist and may impact on delivery and shipping timelines.

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Australia

For prints being framed by us please allow up to an additional 10 working days for framing production.

International

(For orders outside of Australia)
Due to shipping logistics, framing options are not available for International orders. Unframed prints are sent in a rolled tube via DHL Couriers.

Returns

FINEPRINTCO will offer returns on any framed or unframed prints damaged in transit where delivery has been arranged by us using our preferred art courier. If damage has occurred a return lodgement must be placed within three (3) days of delivery. 

To do this simply contact us via our contact page or email: orders@fineprintco.com with the order number and images of the damaged print.

FINEPRINTCO does not offer returns or refunds where the client has asked for special delivery via a non-art-courier.

Please choose carefully as we do not operate a refund or exchange policy for “Change of Mind" Returns. 

Our customer service team will provide the information related to your return. When sending your return back to us, please print your order number on the outside of the box. Refunds will be issued after the goods have been returned to us. Refunds will only be applied to the credit card or account used for the original transaction. Please allow up to 7-10 business days for processing.It is important to ensure that any handling does not cause damage to your work- avoid touching the print directly as oils and dirt from your hands can damage the artwork and rough treatments can scratch and harm the pigments.

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